FAQ

When did Fandango buy Rotten Tomatoes?

When did Fandango buy Rotten Tomatoes?

Comcast bought Fandango in 2007. Warner Bros. acquired Flixster and Rotten Tomatoes in 2011.

What happened to Rotten Tomatoes?

The website was purchased by Warner Bros. in 2011. And in 2016, Comcast (which also owns NBCUniversal) acquired a 70 percent stake. The Comcast deal directly linked Rotten Tomatoes into a division of the ticket vendor Fandango.

Who is behind Rotten Tomatoes?

The founders sold the company for an undisclosed amount in 2004 to IGN Entertainment, which was acquired by News Corp. for $650 million the following year. News Corp. sold Rotten Tomatoes to movie discovery startup Flixster in 2010, which was later bought by Warner Bros. Fandango, a unit of Comcast Corp.

How much was Rotten Tomatoes sold for?

IGN Entertainment purchased Rotten Tomatoes for $10 million. This amount, “compared to most tech startups these days, is very low”, Lee said. The website has since passed between a number of hands such as News Corp, Flixster, Warner Bros and Fandango.

Does Warner Brothers own rotten tomatoes?

Since January 2010, Rotten Tomatoes has been owned by Flixster, which was in turn acquired by Warner Bros.

Rotten Tomatoes.

show Screenshot
Founder(s) Senh Duong
Key people Senh Duong Patrick Y. Lee Stephen Wang
Parent Fandango Media
URL www.rottentomatoes.com
Read more  How do you keep tomatoes fresh longer?

Is 100 Rotten Tomatoes good?

On the review aggregator website Rotten Tomatoes, a film has a rating of 100% if each professional review recorded by the website is, overall, assessed as positive rather than negative.

Does Disney own Rotten Tomatoes?

When fans around the world learned of Rotten Tomatoes making changes, some cried foul, claiming that it may have had something to do with Disney; however, Rotten Tomatoes is owned by Fandango and a small percentage by Warner Bros.

Are Rotten Tomatoes good?

The short version: It can, but not necessarily in the ways you might think. A good Rotten Tomatoes score indicates strong critical consensus, and that can be good for smaller films in particular.

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